I. The Dance :

Theater and dance is an integral part of Balinese culture. Balinese dances are famous all over the world and the Balinese themselves take them very seriously. Birthdays, weddings, and temples festivals are all occasions for dramatic performances and dance is inextricably linked with the Balinese religion. The commercial performances for tourists that are today offered on a daily basis in several places of Bali do, of course, not have the same religious significance and atmosphere of a dance that is performed at a real temple festival.

1. Tari Panyembrama

Four or eight young girls bearing a bokor, a heavily engraved bowl made from silver or aluminium, laden with flowers, dance expressively to the accompaniment of vibrant gamelan music. The Panyembrama is probably the most popular Balinese social dance. In keeping with its meaning in the Balinese Language, Panymebrama is frequently staged to welcome guests of honour who are making a visit to this islands of the Gods.

2. Barong dance

If black magic prevails, a village fails into danger, and extensive purification ceremonies become necessary to restore a proper equilibrium for the health of the community. Dramatic art is also a mea of cleansing the village by strengthening its resistance to harmful forces through offerings, prayers and acts of exorcism. Such is the symbolic play of the two remarkable presences-the Barong and Rangda. Barong, a mystical creature with a long swaybackand curved tail, representstheaffirmative, the protector of mankind, the glory of the high sun, and the lavorable spirits associated with the right and.white magic.

3. The Kecak dance

is an unusual Balinese dance for a couple of reasons. First, there is no musical accompaniment. The gamelan is not there. Rhythm is provided by a chanting ‘monkey’ chorus. The polyrhythmic sound of the chanting provides the name, ‘Ke-chak’.

4. Legong keratin

In legends, Legong is the heavenly dance of divine nymphs. Of all classical Balinese dances, it remains the quintessence of femininity and grace. Girls from the age of five aspire to be selected to represent the community as Legong dancers.

5. Kebyar duduk

He took the costume from Kebyar Legong, but to move in a squatting position he had to hold up the train with one hand as he moved and this became the hallmark of the dance. The mood of Kebyar Duduk is determined by the music, and the dancer works in close co-ordination with the entire gamelan to interpret its shifting colors.

6. The Yudapati Dance
Yudapati is a dance which depicts a male character but is performed by female dancers. The word Yudapati is derived from Yuda which means war and Pati which means death. The dance represents the kamikaze warrior in defending the truth. The dance was created in 1987. It is based on the Baris dance.

7. The Ghopala Dance
This dance provides the audience with an interesting insight into the lives of people who live in a simple and pure manner in an environment of blissful tranquillity. This dance originated in 1984 and usually performed by five boy dancers. The characters of the Ghopala dance are especially funny and will draw laughter from the audience.

8. Legong Trunajaya
The Trunajaya dance describes the emotions of a young man through love and passion. The dance movements reflect the theme of courtship and love.
Truna meaning ’single’ and jaya meaning ‘to win’ immediately gives an understanding of the dance. Ironically, the dancer are young women who take on the role of young men. The women wear a ‘destar’ normally worn by men and an unusual loin-cloth called a ‘kancut’. The Trunajaya is normally danced by a single female but sometimes two, dancing together in synchronous movements and to the mesmorotic sounds of the ‘Gong Kebyar’, a fast, rhythmic beat which goes in harmony to the dance.

9. Calonarang

A spectacular dance which is a tale of combating dark magic and exorcising the evil spirits aligned with the witch-queen Rangda. The story has many variations and rarely are two Calonarang plays the same. If you can find an authentic Calonarang perofrmance, then you are in for a truly magical experience.

II. THE CULTURE :

1. TEMPLE Ceremony

“PURNAMA KEDASA” in Bali Have an several Big ceremony. Because today is Good day according the Calender. We call “Purnama Sasih Kedasa” is the Full Moon on Month 10th according the Balinese Calender.
In Ubud we can see some Temple Ceremony, and also in Bali we have Big Ceremony at Besakih Temple (Bali Mother Temple). At Besakih, we call the ceremony as “Odalan Ida Betara Turun Kabeh” The Odalan at Besakih will end on April 27th, 2009.

2. NGABEN Cremation

Ngaben is the ritual performed to send the dead through the transition to his next life. The village Kul Kul, hanging in the tower of the village temple, will sound a certain beat to announce the departure of the deceased. The body of the deceased will be placed at Bale Delod, as if he were sleeping, and the family will continue to treat him as if he were still alive yet sleeping. No tears are shed, for he is only gone temporarily and he will reincarnate into the family.

The Priest consults the Dewasa to determine the proper day for the ceremony. On the day of the ceremony, the body of the deceased is placed inside a coffin which is then placed inside a sarcophagus in the form of a buffalo (called Lembu) or a temple structure called Wadah made of paper and light wood. The Wadah will be carried to the village cremation site in a procession. The climax of Ngaben is the burning of the Wadah, using fire original.

3. WEDDING Ceremony

The Balinese marriage, locally is better known as Masakapan, is held on an auspicious day selected by the priest. Invitations are sent out asking guest to bring certain types and amounts of food. The bridge and groom use to have their teeth filed during the ceremony if this had not already been done. While the bridge is being prepared for the marriage rite, men-arranged according to status-sit, eat and chew betel nut while being entertained by professional storyteller. The rite varies from area, but usually the bridge and groom offer food and drink to one another, and then eat together in public, an important symbolic act because in the past only married men and women are allowed to be seen eating food together. In the afternoon the priest performs a ritual purification and blesses the couple.

III. THE ART

1. Painting

Paintings of Bali have experienced remarkable evolution. Traditionally another means of expressing religious and mythological ideas, paintings of Bali have been subjected to a number of influences, including deep interaction with Western painters who came and lived in Bali. As with any other artistic expression found in the island, these influences have been uniquely adapted into Bali’s personality, creating new nuances and styles of paintings that are distinctly Balinese.

2. Batik

The Batik of Bali provides another venue of showing the artistic excellence of the Balinese people. Their beautiful designs, inspired by religious mythologies to everyday encounters, spread throughout the world. Originally stimulated by Javanese motifs, dominated by wayang and other mythological characters, contemporary batik artists have also experienced artistic development that parallels that of paintings. Modern batik artists express themselves through various subjects, from objects of nature such as birds or fish t o daily activities such as cremation (ngaben) procession or tourist attractions as well as religious and mythological stories, accompanied by modern interpretation.

3. Wood Carving

are in either modern or traditional form.
The main road of the town is lined with dozens of workshops. You can buy mass produced soft wood carvings or more expensive and highly crafted pieces from ebony, jackfruit, teak, and sandalwood. Particularly fine specimens of wood carvings can be seen at the Nyana Tilem Gallery, one of the first galleries you come to in Mas.

Mas is also of historical significance to Bali’s history as it was here that the great priest Nirartha has his hermitage in the Pura Taman Pule.

4. Gold & Silver smith

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IV. THE BALINESE SPECIAL DAY

Every religion or culture all over the world has their own way to define and celebrate their new year. For example, the Chinese have the Imlek year and to celebrate it, have, as they called it in their own language, “Gong Xi Fat Choy”. The Moslem societies have their Muharam year, and any of the people over the world using the Gregorian calendar, celebrate the New Year on January 1st.

The same thing also occurs in Bali, however the Balinese use many different calendar systems. They have adopted the Gregorian calendar for business and government purposes. But for the endless procession of holy days, temple anniversaries, celebrations, sacred dances, building houses, wedding ceremonies, death and cremation processes and other activities that define Balinese life, they have two calendar systems. The first is the Pawukon (from the word Wuku which means week) and Sasih (which is means month). Wuku consists of 30 items starting from Sinta, the first Wuku and end up with the Watugunung the last one. The Pawukon, a 210-day ritual calendar brought over from Java in the 14th century, is a complex cycle of numerological conjunctions that provides the basic schedule for ritual activities on Bali. Sasih, a parallel system of Indian origin, is a twelve month lunar calendar that starts with the vernal equinox and is equally important in determining when to pay respect to the Gods.

1. Nyepi

is a day to make and keep the balance of nature. It is based on the story of when King Kaniska I of India was chosen in 78 A.D. The King was famous for his wisdom and tolerance for the Hinduism and Buddhism societies. In that age, Aji Saka did Dharma Yatra (the missionary tour to promote and spread Hinduism) to Indonesia and introduce the Saka year.

The lead upto Nyepi day is as follows:

Melasti or Mekiyis or Melis (three days before Nyepi)
Melasti is meant to clean the pratima or arca or pralingga (statue), with symbols that help to concentrate the mind in order to become closer to God. The ceremony is aimed to clean all nature and its content, and also to take the Amerta (the source for eternal life) from the ocean or other water resources (ie lake, river, etc). Three days before Nyepi, all the effigies of the Gods from all the village temples are taken to the river in long and colourful ceremonies. There, they have are bathed by the Neptune of the Balinese Lord, the God Baruna, before being taken back home to their shrines.

Tawur Kesanga (the day before Nyepi)
Exactly one day before Nyepi, all villages in Bali hold a large exorcism ceremony at the main village cross road, the meeting place of demons. They usually make Ogoh-ogoh (the fantastic monsters or evil spirits or the Butha Kala made of bamboo) for carnival purposes. The Ogoh-ogoh monsters symbolize the evil spirits surrounding our environment which have to be got rid of from our lives . The carnivals themselves are held all over Bali following sunset. Bleganjur, a Balinese gamelan music accompanies the procession. Some are giants taken from classical Balinese lore. All have fangs, bulging eyes and scary hair and are illuminated by torches.The procession is usually organised by the Seka Teruna, the youth organisation of Banjar. When Ogoh-ogoh is being played by the Seka Teruna, everyone enjoys the carnival. In order to make a harmonic relation between human being and God, human and human, and human and their environments, Tawur Kesanga is performed in every level of society, from the people’s house. In the evening, the Hindus celebrating Ngerupuk, start making noises and light burning torches and set fire to the Ogoh-ogoh in order to get the Bhuta Kala, evil spirits, out of our lives.
On Nyepi day itself, every street is quiet – there are nobody doing their normal daily activities. There is usually Pecalangs (traditional Balinese security man) who controls and checks for street security. Pecalang wear a black uniform and a Udeng or Destar (a Balinese traditional “hat” that is usually used in ceremony). The Pecalangs main task is not only to control the security of the street but also to stop any activities that disturb Nyepi. No traffic is allowed, not only cars but also people, who have to stay in their own houses. Light is kept to a minimum or not at all, the radio or TV is turned down and, of course, no one works. Even love making, this ultimate activity of all leisure times, is not supposed to take place, nor even attempted. The whole day is simply filled with the barking of a few dogs, the shrill of insect and is a simple long quiet day in the calendar of this otherwise hectic island. On Nyepi the world expected to be clean and everything starts anew, with Man showing his symbolic control over himself and the “force” of the World, hence the mandatory religious control.

Ngembak Geni (the day after Nyepi)
Ngembak is the day when Catur Berata Penyepian is over and Hindus societies usually visit to forgive each other and doing the Dharma Canthi. Dharma Canthi are activities of reading Sloka, Kekidung, Kekawin, etc.(ancient scripts containing songs and lyrics).

From the religious and philosophy point of view, Nyepi is meant to be a day of self introspection to decide on values, eg humanity, love, patience, kindness, etc., that should kept forever. Balinese Hindus have many kind of celebrations (some sacred days) but Nyepi is, perhaps the most important of the island’s religious days and the prohibitions are taken seriously, particularly in villages outside of Bali’s southern tourist belt. Hotels are exempt from Nyepi’s rigorous practices but streets outside will be closed to both pedestrians and vehicles (except for airport shuttles or emergency vehicles) and village wardens (Pecalang) will be posted to keep people off the beach. So wherever you happen to be staying on Nyepi Day in Bali, this will be a good day to spend indoors. Indeed Nyepi day has made Bali a unique island.

2. Saraswati Day

Knowledge is very important for Balinese. Every Saniscara, Umanis, Wuku Watugunung, they celebrate Saraswati Day, the knowledge day. It is based on the Pawukon (Balinese calendar) system and the Saniscara (seven day cycle).

The name Saraswati came from “Saras” meaning flow and “wati” meaning a women. So, Saraswati is symbol of knowledge, its flow (or growth) is like a river and knowledge is very interesting, like a beautiful women.

Saraswati is the Goddess of Knowledge, symbolized by a beautiful woman with four hands, riding on a white swan among water lilies to tell humanity that science is like a beautiful woman. Her hands hold a palm leaf; a lontar, (a Balinese traditional book which is the source of science or knowledge); a chain (genitri with 108 pieces) symbolising that knowledge is never ending and has an everlasting life cycle; and a musical instrument (guitar or wina) symbolising that science develops through the growth of culture. The swans symbolise prudence, so that one’s knowledge may distinguish between good and evil and the water lilies (Lotus) are symbols of holiness. The Lotus flower is the holiest for Balinese.

In the afternoon of Saraswati day we are not permitted to read or write the book because all the books are offered. In the evening, called Malam Sastra, people read books (especially religious books) in their houses or in the temple.
Saraswati day itself is celebrated by the Balinese people bringing offerings to their holy books and scrolls in their houses, while students celebrate it at school, usually in the morning, and the office-workers in their office. The philosophy of Saraswati day is that the most important thing for human life is knowledge.

3. Banyu Pinaruh

The day after Saraswati Day is Banyu Pinaruh day. “Banyu” means water and “Pinaruh” mean wisdom. In other words, we must have wisdom which always flows like water and which is useful for human kind. We pray for Dewi Saraswati (manifestation of God) to give us cleverness and wisdom. The people usually take a bath in the sea or a lake or river and drink traditional medicine which is made from many various leaves which is very good for our health. The philosophy of Banyu Pinaruh day is the second most important thing for human life is good health.

4. Soma Ribek
Two days after Saraswati Day, on Soma (or Monday), Pon, Wuku Sinta, is Soma Ribek day. “Soma” meaning Monday, and “Ribek” meaning full. On this day, Balinese bring offerings to the rice box. They thank God for food and beverage in their lives and pray to Dewi Sri (Goddess of prosperity, manifestation of God) to give prosperity. This celebration remind them to be selective when choosing food and not to over eat to improve their health. The philosophy of Soma Ribek day is the third most important thing for human life is food and drink.

5. Sabuh Mas
Three days after Saraswati Day, on Anggara (or Tuesday), Wage, Wuku Sinta, is Sabuh Mas day. “Sabuh” means belt, and “Mas” mean gold. On this day, Balinese bring offerings to the deposit box or the place where they keep their jewelry. They thank Mahadewa (manifestation of God) for cloth, money, gold, etc in our lives.

6. Pagerwesi
Four days after Saraswati Day, on Buda (or Wednesday), Kliwon, Wuku Sinta, is Pagerwesi day. “Pager” meaning fence and “Wesi” meaning iron. On this day, Balinese pray to Sang Hyang Pramesti Guru (manifestation of God). All Balinese have offerings to their Sanggah (temple in their home) and at all of their temples. This is the second biggest holiday after Galungan day for the Balinese. The philosophy of this celebration is that they must keep knowledge, health, food, cloth and gold high in their lives to keep the universe in balance.

7. Galungan is a ten day festival which comes around every 210 days and celebrates the death of the tyrant Mayadenawa. Gods and ancestors visit earth and are greeted with gift-laden bamboo poles called penjor lining the streets. The last day of the festival is known as Kuningan.

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